I co-wrote the script and led the creative direction and production of the piece, which we developed in two distinct formats. The installative version is a walk-through XR theatre for ten spectators at a time. The physical set is built on the actual floor plan of Bethlehem Hospital. Each visitor is assigned a 17th-century persona — a puritan theologian, a duchess in disguise, a plague doctor — and gradually discovers they must embody a role in the story. The narrative design is layered: the piece begins as a seemingly conventional museum exhibition, then pivots into immersive theatre without warning. Patients become increasingly confrontational, and the final character — Big Daniel — turns the mirror squarely on the audience, exposing the voyeurism that brought them through the door.

The remote version pushed the format further: actors captured in real time in our Paris studio, broadcast live in VR to individual audience members in Taiwan — one-to-one immersive theatre across continents.