EXPERTISE
I design experiences where the boundary between audience and story dissolves.
Every experience I build starts with a script — not a film script, but the architecture of what happens when a person enters a world and begins to make choices.
I can’t create without dissecting first. Every visual, every word, every experience has to be infused with the essence — otherwise it’s decoration, not direction.
Working with an artist or a maison means protecting a vision — including from yourself.
The hardest part isn’t the technology. It’s making you forget it’s there.
When a mocap actor, a set builder, and an Unreal developer need to build the same thing — someone has to speak all three languages.
